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#11 |
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Местный
Регистрация: 23.06.2008
Адрес: Жуковский
Сообщений: 2,295
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Вес репутации: 24
Репутация: 402
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Вот из вражеского мануала..К верхним четырем ручкам ауксов (обведены синим вверху)
AUX SENDS The combined effects signal can be returned to Auxes 1 to 4. These sends are not affected by the ST1 (ST5) LEV control which returns the signal to the LR mix. The stereo signal is summed to feed the auxes in mono. This can be changed if preferred by repositioning internal jumper options so that L feeds auxes 1,3, and R feeds auxes 2,4. Use the aux sends to add the effects to the monitors if required. Это от мастер секции (то что розовым обведено) AUX MASTERS Each aux mix has a master level control that adjusts the output level to match external equipment, or to trim the monitor, effect or other send without affecting the mix balance. Up to +4dB boost is available above the normal 0dB position. Note that the AUX5 and AUX6 master controls do not affect the level sent to the internal effects processor. They do affect the level available at the rear panel aux output sockets. Это от кнопочек рядом с аукс мастером(тоже обведено синим) Console Monitor Comprehensive engineer’s headphones monitoring is provided. Select the source to listen to using the monitor switch bank. With no switch pressed the post-fade LR mix is monitored. Press M to listen to the post-fade M source. Pressing any switch higher up the bank overrides the previous selection. Pressing ST1 (ST5) listens to the wet effects only return signal if the internal effects processor is active. Pressing Aux pairs 1-2, 3-4, 5-6 together listens to the two selected auxes as a stereo pair. The two console meters display the selected monitor source signal level. Pressing channel PFL switches automatically overrides the current monitor selection with the pre-fade signal from that channel or selection of channels. The red PFL active indicator lights and the console meters display the channel signal. We recommend you use closed ear headphones in the range 30 to 600 ohms designed for live sound monitoring. Headphones around 100 ohms impedance are a popular choice. |
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